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Intoroductory Collection
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Kotatsu : Shimura’s best work which uses blue effectively. |  |
Hatsumode / New Year’s Visit to A Shrine : Hair accessory and obi ( belt ) stand out gorgeously. |
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Kiba ( name of place in Tokyo ): The crested haori gives a subtle aura. |
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Kiba : Eye-catching red makes an impact. |  |
Untitled : A work of Shimura’s early phase. It is one of the very rare works of his to show the whole body of a woman. |  |
Karakkaze / Dry Blast : A woman with a daruma doll in cold wintry wind. It is one of a very few to have background with motion. |
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Odoriko / Dancer : It was made in Shimura’s later phase. His aesthetic quest can be glimpsed by a different culture of Balinese woman. |  |
Shigusa / Gesture : This work represents Shimura’s deep knowledge to Japanese ball dance. |
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Ryosugata: A woman with summer cotton kimono. |
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Oume / name of the woman |  |
Okawabashi : with a scenery along the river which Shimura liked. |  |
Shitaku / dressing : A woman dressing. |
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Haori : A woman fitting cover-up on kimono. |  |
Kawagishi / riverbank : a scenery of clay warehouses in Nihonbashi area. A girl and an old town matches. |  |
Yakaimaki / Chignon : A woman with chignon which was fashionable since Taisho era. It gives noble atmosphere. |
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Ryo |  |
Nigumi no Otoko / A Man of Group Ni |
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Senhime |  |
Kochiyama Soushun |  |
Natsusugata |
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Minamoto No Yoshitsune ( name of a historical warlord ) |  |
Meigetsu Satarokasa ( name of story ) |  |
Katana / sward |
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Kimono Futari |  |
Yakusha Otoko A Cast A Man |
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Kimono and Lamp |
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Sannin / Three of Them |  |
Striped Kimono A Man with a Tattoo |  |
Hanabi Onnna Futari / Fireworks Two Women |
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Ejimaikushima |  |
Untitled |  |
Kajibugyo / Fire Magistrate |
